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Cléo from 5 to 7 : ウィキペディア英語版 | Cléo from 5 to 7 ''Cléo from 5 to 7'' ((フランス語:Cléo de 5 à 7)) is a 1962 Left Bank film by Agnès Varda. The story starts with a young singer, Florence "Cléo" Victoire, at 5pm on June 21, as she waits until 6:30pm to hear the results of a medical test that will possibly confirm a diagnosis of cancer. The film is noted for its handling of several of the themes of existentialism, including discussions of mortality, the idea of despair, and leading a meaningful life. The film also has a strong feminine viewpoint belonging to French feminism and raises questions about how women are perceived, especially in French society. The role of mirrors are prevalent to symbolize self-obsession, which Cléo embodies. The film includes cameos by Jean-Luc Godard, Anna Karina, Eddie Constantine and Jean-Claude Brialy as characters in the silent film Raoul shows Cléo and Dorothée, while composer Michel Legrand, who wrote the film's score, plays "Bob the pianist". It was entered into the 1962 Cannes Film Festival.〔(【引用サイトリンク】title=Festival de Cannes: Cléo from 5 to 7 )〕 ==Historical context==
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Cléo from 5 to 7」の詳細全文を読む
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